Nie Bao 聶豹 (1487–1563) was a Neo-Confucian philosopher and scholar-official of sixteenthcentury Ming China. In his Ming ru xue an 明儒學案 (Case studies of Ming Confucians), Huang Zongxi 黃宗羲 placed him in the Jiangxi (Jiangyou 江右) group of Wang Yangming followers. Nie Bao met the influential founder of the Ming School of Mind in 1526 and was inspired by his teaching of the innate knowing (liangzhi 良知). However, he differed from other followers in his quietist approach to realizing and extending (...) this knowledge. While developing his ideas over the course of two decades, as a holder of the highest civil service examination degree, Nie Bao also held a series of impactful official positions, and earned a reputation for effectiveness and integrity. However, he was also the unwitting victim of factionalism at the Ming court, which led to his imprisonment in 1548. The goal of this article is to provide a sketch of Nie Bao’s political trajectory and intellectual development from his early years until his imprisonment, as well as translation of significant passages pertaining to that trajectory and development. By the time of his imprisonment, Nie Bao had articulated the essential elements of his philosophy of returning to the root (by which he meant silence), and attaining centeredness and, with that, his unique interpretation of his teacher’s central tenet. (shrink)

The idea that dementia is essentially a return to childhood and those affected must somehow be similar to children constitutes a deeply rooted and pervasive cultural trope. While such tropes may be helpful in making sense of an otherwise elusive and inscrutable state, they can at the same time promote inadequate understandings of dementia and hence also influence our attitudes and behaviour towards those affected in several problematic ways. In the present work, we provide a detailed account of the (...) origins and implications of the idea that people with dementia are somehow similar to children. In order to spell out the normative significance of this trope and to analyse its shortcomings, we will rely on a life‐course perspective. We will point out that the second‐childhood trope does not do justice to the particularities of the life phases of both children and people with dementia. This lack of biographical sensitivity brings about undignified treatment of and harm to those who have previously lived more autonomous lives. In conclusion, we will argue that people with dementia should not be equated with children as they are at a different point in their lives. This critical analysis of the second‐childhood trope shows the usefulness of a culturally and biographically sensitive theoretical framework for bioethical reflection. In particular, it provides reasons to reject infantilizing attitudes and behaviours and instead take seriously the personality, values and preferences shaped throughout the course of an individual's life. (shrink)

Recent studies demonstrating epigenetic and developmental sensitivity to early environments, as exemplified by fields like the Developmental Origins of Health and Disease (DOHaD) and environmental epigenetics, are bringing new data and models to bear on debates about race, genetics, and society. Here, we first survey the historical prominence of models of environmental determinism in early formulations of racial thinking to illustrate how notions of direct environmental effects on bodies have been used to naturalize racial hierarchy and inequalities in the past. (...) Next, we conduct a scoping review of postgenomic work in environmental epigenetics and DOHaD that looks at the role of race/ethnicity in human health (2000–2021). Although there is substantial heterogeneity in how race is conceptualized and interpreted across studies, we observe practices that may unwittingly encourage typological thinking, including: using DNA methylation as a novel marker of racial classification; neglect of variation and reversibility within supposedly homogenous racial groups; and a tendency to label and reify whole groups as pathologized or impaired. Even in the very different politico-economic and epistemic context of contemporary postgenomic science, these trends echo deeply held beliefs in Western thinking which claimed that different environments shape different bodies and then used this logic to argue for essential differences between Europeans and non-Europeans. We conclude with a series of suggestions on interpreting and reporting findings in these fields that we feel will help researchers harness this work to benefit disadvantaged groups while avoiding the inadvertent dissemination of new and old forms of stigma or prejudice. (shrink)

The immensely influential work of Jacques Lacan challenges readers both for the difficulty of its style and for the wide range of intellectual references that frame its innovations. Lacan’s work is challenging too, for the way it recentres psychoanalysis on one of the most controversial points of Freud’s theory – the concept of a self-destructive drive or ‘death instinct’. Originally published in 1991, _Death and Desire_ presents in Lacanian terms a new integration of psychoanalytic theory in which the battery of (...) key Freudian concepts – from the dynamics of the Oedipus complex to the topography of ego, id, and superego – are seen to intersect in Freud’s most far-reaching and speculative formulation of a drive toward death. Boothby argues that Lacan repositioned the theme of death in psychoanalysis in relation to Freud’s main concern – the nature and fate of desire. In doing so, Lacan rediscovered Freud’s essential insights in a manner so nuanced and penetrating that prevailing assessments of the death instinct may well have to be re-examined. Although the death instinct is usually regarded as the most obscure concept in Freud’s metapsychology, and Lacan to be the most perplexing psychoanalytic theorist, Richard Boothby’s straightforward style makes both accessible. He illustrates the coherence of Lacanian thought and shows how Lacan’s work comprises a ‘return to Freud’ along new and different angles of approach. Written with an eye to the conceptual structure of psychoanalytic theory, _Death and Desire_ will appeal to psychoanalysts and philosophers alike. (shrink)

So far aesthetics has played a limited role in our understanding of business activity, focused mainly on evaluating product quality and the character qualities (virtues) of the firm that produced them We draw on Heidegger’s fuller account of aesthetic value to show how a firm—like a work of art – can disclose the way human projects and technologies are already at work in a given context. In this way, we show that firms play an essential role in human self-understanding—a role (...) that Heidegger assigns primarily to works of art. We then apply the Heideggerian approach to the contemporary turn to artisanal products such as personalized handcrafts, craft beer and the “third wave” coffee movement. (shrink)

In _Essential Vulnerabilities, _Deborah Achtenberg contests Emmanuel Levinas’s idea that Plato is a philosopher of freedom for whom thought is a return to the self. Instead, Plato, like Levinas, is a philosopher of the other. Nonetheless, Achtenberg argues, Plato and Levinas are different. Though they share the view that human beings are essentially vulnerable and essentially in relation to others, they conceive human vulnerability and responsiveness differently. For Plato, when we see beautiful others, we are overwhelmed by the beauty (...) of what is, by the vision of eternal form. For Levinas, we are disrupted by the newness, foreignness, or singularity of the other. The other, for him, is new or foreign, not eternal. The other is unknowable singularity. By showing these similarities and differences, Achtenberg resituates Plato in relation to Levinas and opens up two contrasting ways that self is essentially in relation to others. (shrink)

The United States, unlike most developed countries, continues to use the marital couple as the taxable unit for its income tax. This continued use of the marital unit— like its original establishment —rests on cultural preferences. This Article suggests that the roles of marriage, religion and taxation in America are essential factors in America’s retention of the marital unit. Part I examines the distinctive contribution marriage — especially the traditional single-earner breadwinner marriage — makes to the political life of the (...) country. Part II explores the similar role of religion. Part III describes some congressional efforts over the past two decades to aid, ostensibly, married couples through the income tax. Part IV concludes that although these actions have not been the most effective or efficient means of helping married couples, they nevertheless serve an important expressive purpose. Tax has been the arena for many political issues since the founding of the nation. Consequently, congressional actions and rhetoric regarding the income tax’s "marriage penalty" reinforce the marital unit/joint return and reaffirm — even if only symbolically — a national commitment to marriage as instrumental to American democracy. (shrink)

In a recent paper [3] Arroyo and Arenhart presented a detailed critical analysis regarding some essential aspects of representational realism and the logos approach to Quantum Mechanics (QM) addressed in terms of i) “a diagnosis of what is wrong with currently available solutions”; ii) “a proposal of a new methodology for addressing the problem”; and finally, iii) “a positive proposal to answer the question, which is arrived at by following the methodology suggested.” In this work we provide a detailed reply (...) to some deep misunderstandings that arise in this presentation and which, in turn, allow Arroyo and Arenhart to conclude that “contrarily to what de Ronde has suggested, his proposal is not a way to avoid commitment to uncritical images of reality, but rather, one further position in the already huge cart of options of quantum mechanics.” After providing a more accurate account of our diagnosis, we continue to address our methodology which —like that of Einstein, Heisenberg, Pauli and Schrödinger— goes back to the Greek-Modern account of physics. We then present our proposal grounded on the invariant-objective search for theoretical unity and discuss why intensive powers of action cannot be considered in dispositional or teleological terms with respect to actuality. Finally, we list some of the main results already accomplished by the logos approach and discuss the essential role of ‘intuition’ and ‘understanding’ within the realist setting. (shrink)

Michel Foucault describes how, using technologies of the self, those practices of self on self, necessarily learned in processes of spiritual direction, an individual is enabled to self-constitute an ethical subjectivity, and then, by conducting her own conduct, enjoy a singular style of living that reflects an unmitigated relation between her freedom and truth. The history of these ancient technologies also describes the constitution of ‘ways of being’ or attitudes independent of external power and of unique styles of living in (...) ancient Greece, without reference to essential subjectivity. Foucault’s exposition of this freedom to self-constitute a unique style of existence is to answer the questions: where a concern for truth constantly calls truth into question, what is the form of existence which makes this questioning possible and what life is necessary given that an imposed truth is not necessary? By opposing concepts of self and trans-subjectivation in a new conception of ethics as a relationship of self to self, Foucault demonstrates how a subject might transform herself and refuse to renounce herself as obliged by the deployment of knowledge (connaissance). He asks whether this ethical subject might sustain a modern morality that will, no longer, need to be supported by either traditional ideology, code, or law? The Return of Morality is an exploration of these ancient Hellenistic technologies of selfsubjectivation and their possible use today as the condition of possibility, according to Foucault, for modern strategies that refuse the limits imposed by the internal ruse of freedom and the inverted image of modern forms of pastoral power that govern self-identification and individualisation. This technology might allow the re-establishment of self-government and enable a style of living that might be called a unified morality for today, one referring to all life experience, one that exists outside of imposed code and law. (shrink)

Feared and admired in equal measure, Mary Midgely has carefully, yet profoundly challenged many of the scientific and moral orthodoxies of the twentieth century. The Essential Mary Midgley collects for the first time the very best of this famous philosopher's work, described by the Financial Times as "commonsense philosophy of the highest order." This anthology includes carefully chosen selections from her best-selling books, including Wickedness, Beast and Man, Science and Poetry and The Myths We Live By . It provides a (...) superb and eminently accessible insight into questions she has returned to again and again in her renowned sharp prose, from the roots of human nature, reason and imagination to the myths of science and the importance of holism in thinking about science and the environment. It offers an unrivalled introduction to a great philosopher and a brilliant writer, and also includes a specially written foreword by James Lovelock. (shrink)

We have been left with a big challenge, to articulate consciousness and also to prove it in an artificial agent against a biological standard. After introducing Boltuc’s h-consciousness in the last paper, we briefly reviewed some salient neurology in order to sketch less of a standard than a series of targets for artificial consciousness, “most-consciousness” and “myth-consciousness.” With these targets on the horizon, we began reviewing the research program pursued by Jun Tani and colleagues in the isolation of the formal (...) dynamics essential to either. In this paper, we describe in detail Tani’s research program, in order to make the clearest case for artificial consciousness in these systems. In the next paper, the third in the series, we will return to Boltuc’s naturalistic non-reductionism in light of the neurorobotics models introduced (alongside some others), and evaluate them more completely. (shrink)

With humanity facing its greatest series of simultaneous crises, leading systems thinker Ervin Laszlo offers the solutions that will ensure the wellbeing of society at all levels and of our planetary home. Providing a holistic context to where we are and how we got here, he assures us that evolution unfolds in a nonlinear, fluctuating fashion. What is called for at this critical juncture - as our sacred task - is a phase of upshift to higher levels of order and (...) coherence to get us to where we are going. This practical handbook lays out, with clarity, why this upshift is needed, what inner potentials we possess to draw upon, and what the action steps are that will move us all toward this achievable vision of harmony and wholeness. With an inclusive list of conscious organizations already contributing to this vision, this book is essential reading for carrying out and completing the process of global transformation already well underway. (shrink)

One notable area in analytic metaphysics that has seen a revival of Aristotelian and scho- lastic inspired metaphysics is the return to a more robust construal of the notion of essence, what some have labelled “real” or “serious” essentialism. However, it is only recently that this more robust notion of essence has been implemented into the debate on truthmaking, mainly by the work of E. J. Lowe. The first part of the paper sets out to explore the scholastic roots (...) of essential dependence as well as an account of truthmaking for accidental predications in terms of accidents. Along the way, the author examines the dialectical role the possibility of separated accidents in the Eucharist play with respect to developing a scholastic account of truthmaking as essential dependence. In conclusion the author utilises Aquinas’s hylomorphic ontology to suggest a new way forward for an essentialist account of truthmaking. (shrink)

However widely--and differently--Jacques Derrida may be viewed as a "foundational" French thinker, the most basic questions concerning his work still remain unanswered: Is Derrida a friend of reason, or philosophy, or rather the most radical of skeptics? Are language-related themes--writing, semiosis--his central concern, or does he really write about something else? And does his thought form a system of its own, or does it primarily consist of commentaries on individual texts? This book seeks to address these questions by returning to (...) what it claims is essential history: the development of Derrida's core thought through his engagement with Husserlian phenomenology. Joshua Kates recasts what has come to be known as the Derrida/Husserl debate, by approaching Derrida's thought historically, through its development. Based on this developmental work, Essential History culminates by offering discrete interpretations of Derrida's two book-length 1967 texts, interpretations that elucidate the until now largely opaque relation of Derrida's interest in language to his focus on philosophical concerns. A fundamental reinterpretation of Derrida's project and the works for which he is best known, Kates's study fashions a new manner of working with the French thinker that respects the radical singularity of his thought as well as the often different aims of those he reads. Such a view is in fact "essential" if Derrida studies are to remain a vital field of scholarly inquiry, and if the humanities, more generally, are to have access to a replenishing source of living theoretical concerns. (shrink)

One of the most important lessons the work of Marilyn Strathern has taught us about knowledge practices is how they stand alone or intersect according to their context. In turn, this has helped us to develop a more dynamic account of knowledge formations as they both travel and stand still. Indeed it is the vacillation between movement and stasis that explains how essentialisms can either anchor cultural systems of thought or become unmoored – a process Strathern has tracked across both (...) cultural and epistemological contexts. In this paper I use the biological sciences as a context in which to track the process by which analogies ‘travel back’ to remake both their object and its epistemology, or ‘habits of thought’. Indeed, context itself can change, and be changed by, what I am calling analogic return – something we might also consider in relation to scale or perception, or as one of the world-making practices out of which we constantly remake ourselves, now more literally than ever in the context of new genetic technologies and stem cell science. (shrink)

The last few years have witnessed the growth of large-scale, population genomics biobanks, which serve as longitudinal, gene-environment databases for future yet unspecified research. An international consortium, the Public Population Project in Genomics, builds harmonization tools for such biobanks and has catalogued numerous studies — at least 139 with over 10,000 banked participants and 34 with over 100,000. As their potential use for translational, clinical research draws near, it is opportune to clarify the duties of such biobanks to communicate results (...) to participants. To identify the potential obligations, some demystification of the terminology surrounding the return of results as found in international and national norms on biobanking generally is essential. On the whole, our proposed lexicon is based on a study of norms as found in national and international policies but excludes debates found in the literature. (shrink)

Martin Heidegger’s Contributions to Philosophy reflects his famous philosophical "turning." In this work, Heidegger returns to the question of being from its inception in Being and Time to a new questioning of being as event. Heidegger opens up the essential dimensions of his thinking on the historicality of being that underlies all of his later writings. Contributions was composed as a series of private ponderings that were not originally intended for publication. They are nonlinear and radically at odds with the (...) traditional understanding of thinking. This translation presents Heidegger in plain and straightforward terms, allowing surer access to this new turn in Heidegger’s conception of being. (shrink)

Debates in Medieval Philosophy: Essential Readings and Contemporary Responses aims to de-mystify medieval works by offering an illuminating, engaging introduction to the problems that medieval philosophers from Augustine through Ockham wrestled with. Each of the volume’s 11 units presents a debate that will enable students to return to the primary texts prepared to think critically and imaginatively about them. Debates include: Does Anselm have a hierarchical or a flat conception of free will? Is Abelard’s ethics conceptually impoverished? Does Avicenna (...) teach that we acquire concepts through abstraction or emanation? What is Aquinas’s purpose in writing the Summa contra gentiles? How sound are Ockham’s criticisms of Scotus’s theory of universals and individuation? The 10 essays newly commissioned for this volume will advance scholarship in medieval metaphysics, ethics, epistemology, logic, and philosophical theology, and in particular they will showcase what is philosophically distinctive and original in medieval philosophy. Students without experience in the history of philosophy will benefit from each unit’s clear, sharply written introductions that supply the necessary background to approach the debates intelligently. In addition, the volume’s general introduction elucidates the value of studying the history of philosophy through debate, in particular the history of medieval philosophy. Students will find in these debates models that will train them to formulate their own critical evaluations of a wide range of philosophical texts by thinkers with diverse philosophical commitments. (shrink)

This article argues that, strictly speaking, from its inception with the ancient Greeks and for all time, philosophy and science are identical and consist in an essential relationship between a specific type of understanding of the human person as possessed of an intellectual soul capable of being habituated and a psychologically-independent composite whole, or organization. It maintains, further, that absence of either one of the extremes of this essential relationship cannot be philosophy/science and, if mistaken for such and applied to (...) the workings of cultural institutions, will generate anarchy within human culture and make leadership excellence impossible to achieve. Finally, it argues that only a return to this “common sense” understanding of philosophy can generate the leadership excellence that can save the West from its current state of cultural and civilizational anarchy. (shrink)

Feared and admired in equal measure, Mary Midgley has carefully yet profoundly challenged many of the scientific and moral orthodoxies of the twentieth century. The Essential Mary Midgley collects for the first time the very best of this famous philosopher's work, described by the Financial Times as 'common sense philosophy of the highest order'. This unrivalled introduction to a great philosopher and brilliant writer incorporates carefully selected excerpts from Mary Midgley's bestselling books, including Wickedness, Beast and Man , Science and (...) Poetry , and The Myths We Live By. With a specially written foreword by James Lovelock, this classic text presents a superb and eminently readable insight into questions she has returned to time and again in her renowned sharp prose. This anthology discusses major topics, such as the roots of human nature, reason and imagination, the myths of science and the importance of holism in thinking about science and the environment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Something to do with Demeter:Ritual and Performance in Aristophanes' Women at the ThesmophoriaAngeliki TzanetouLike his character the Kinsman, Aristophanes invades Athenian women's religious space. He puts onstage for the whole city a religious festival restricted to women. He suggests that women use this occasion to drink and plot against men, and he portrays them as carrying on adulterous affairs and duping their husbands. As a result of this negative (...) portrayal of women, scholars have concluded that the play undermines women's position in the festival and in the city. Elizabeth Bobrick (1997), for example, argues that the play misrepresents women's experience in ritual. Lauren Taaffe (1993) insists the play shows that women are only men in disguise, that it is not really about women at all but rather uses them to highlight male concerns. And Angus Bowie (1993, 227) concludes that in this play Aristophanes demonstrates that comedy, not tragedy, has the right to "give an accurate and fulsome picture of female villainy."On the face of it, Women at the Thesmophoria satirizes women's real ritual experience and does not respectfully depict the Thesmophoria-a very important festival celebrated throughout Greece, which promoted agricultural and human fertility. And yet, despite the Kinsman's invasion and his mockery of women, the role of women in ritual is not really undercut in this play. The female characters who inhabit the comic stage and protest their portrayal in drama do not aim to redefine their social roles as wives and mothers. Instead, they use the authority of their roles to mount a successful attack against Euripides because he undermines these functions. In fact, the play acknowledges and validates women's contribution to the fertility of the polis in two different ways.After the Kinsman is unmasked and taken captive by the women, four different strategies for rescuing him are staged. After all these strategies, derived from plays by Euripides, fail, a fifth strategy succeeds. As scholars have noted, the Kinsman's captivity and rescue parallel the founding myth of the Thesmophoria festival, the story of Persephone's [End Page 329] abduction and imprisonment by Hades and her rescue by her mother Demeter.1 My reading of Women at the Thesmophoria builds on this analysis by demonstrating how each of the Euripidean parodies moves closer to the myth of Demeter and Persephone. Moreover, with each of the parodies the actors become increasingly feminized. In the final scene of the play every character onstage but one is wearing female dress. Ironically, structurally and theatrically, Aristophanes' play celebrates women's power, as it is demonstrated in Demeter's rescue of her daughter and the rebirth of human and agricultural fertility.Moreover, the play affirms the centrality of women to the fertility of Athenian drama. Earlier studies have seen Women at the Thesmophoria as a competition between Euripides and Aristophanes and between tragedy and comedy (e.g., Hubbard 1991, Henderson 1996, Zeitlin 1996b, Gibert 1999-2000). The play's movement from male to female, especially in the arrangement of the parodies, is also a move from Dionysus to Demeter. The captivity/rescue plot is associated with not only Demeter and Persephone but also Dionysus, the presiding deity of Athenian theater. The stories of Dionysus' captivity and rescue are different, however; in these the god rescues himself and punishes his captors (e.g., Pentheus and Lycurgus). As the rescue strategies in Women at the Thesmophoria [End Page 330] unfold, they move from the Dionysian pattern of self-liberation and punishment of opponents to a Demetrian one of cooperation and reconciliation. This is also a movement from tragedy to comedy, in which tragedy fails to liberate while comedy succeeds. The four parodies and the final scenario move from explicitly tragic situations, including the threat of human sacrifice, to love/marriage plots and finally to men dressing as women to deceive a parodically hypermasculine male, thereby achieving a return to normality. By the end of the play, male cross-dressing does not show how easy it is to become female, but how essential women are to comedy-not only to creating laughter but also to the basic function of comedy: affirming and celebrating the... (shrink)

The title of this congress begins with the word “identity”. It also includes the word “reciprocity,” which indicates a form of relationship and finally, “gift of self”. This would lead us to conclude that the identity of the human person has something to do with reciprocity and that reciprocity involves giving of oneself to others. This talk will attempt to shed light on how the concept of gender might in some way be incorporated into these three concepts. Defining what constitutes (...) the identity of the human person has been explored, and attempts to define it have been made by every major theorist in the field of psychology. At a previous Psychology and Communion congress one of the talks spoke of loving and being loved in return as the basic foundation of human identity. In that presentation we find the following observation: “The identity of the human person can be compared to the identity of a book: we know where and when it was printed; but the author is certainly not the publishing house, nor is the typesetter who prepared the text…The same is true for us human beings: we know the time and date of birth. But who is author?”. We ask ourselves, therefore: what lies at the core of the identity of this being who is born at a certain time on a certain date? Before proceeding, I think it is important to note that the basic idea regarding the identity of the human person, as we have defined and understood it from the inception of psychology and communion and explored in previous encounters, remains unchanged. I will use a quote of Chiara Lubich here that perhaps many of you know but which can serve the purpose of laying the foundation for what follows: Human beings are “ all equal but distinct. To each person [God] gave his own beauty so that they would be desirable and lovable by others; and so that in love they would be recomposed into the One who had created them with his Light, which is Himself.” Now we ask ourselves: What exactly is this “beauty” that Chiara is speaking of? What are the components, if you will, of our identity that makes us “… desirable and lovable by others…”? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Response to Valerie Trollinger, “A Reconception of Performance Study in the Philosophy of Music Education”Paul LouthAs an educator who is a former professional trombonist I can certainly appreciate the issues raised in this discussion. Because I am inclined to agree with the spirit (if not always the substance) of Trollinger's remarks, I would like to respond with some thoughts on the manner in which she tends to frame (...) this debate, because I believe that this has crucial implications and may explain the cause of some of the very problems she mentions.Charlene Morton writes that a "bias for procedural knowledge... unwittingly immerses school music in the polemic arising from the false hierarchical dichotomy between 'hard' and 'soft' forms of knowledge."1 By this she means that the Cartesian mind/body split, which has led to our conception of thinking and doing as exclusive matters, is not remedied by our discovery of the importance of purely procedural knowledge, because we merely reinforce this dichotomy through acknowledging the latter term as a separate category from theoretical knowledge. Trollinger is correct in asserting that the act of performance is often overlooked and is not treated as a serious concern in music education and I believe that this may be largely due to this dichotomy, which manifests itself in the way that we divorce performance from its original holistic context.In general, if we accept this argument, then debates about performance versus listening, theorizing, and so on are inherently problematic because the discourse itself reinforces an artificial dichotomy. If we fail to address the remnants of this "Cartesian anxiety," then in our attempts to address a lack of concern over performance, we may be left with a performance model that is purely utilitarian, in the sense that the body can only justifiably occupy a central place in the curriculum if there are direct, utilitarian outcomes that we can associate with it and so long as those outcomes are supported by the free market. In North America, progressive educators have been struggling for some time against the concept of school as a locus of training for the market place. This model becomes more difficult to resist, I would argue, as long as we continue to compartmentalize performance and other aspects of musicianship. Such practices reinforce an artificial distinction between procedural and theoretical forms of knowing (and, by extension, between mental and manual forms of labor) that Apple, Giroux, and other critical pedagogues would argue atomizes student knowledge in preparation for the marketplace; yet musicianship can serve many other valuable purposes.2 [End Page 231]Trollinger, in using the word "holistic," reminds us of the connection between body and mind that exists in performance. Further, she correctly states that until relatively recently, those who taught music were musicians. I would add that in Canada (where I teach), the idea that music should be taught by musicians has often been used to justify its exclusion from schools, which is indicative of our tendency to exclude those things that we deem corporeal from the life of the mind. In my home province of Ontario, recent emphasis on "the basics" has meant that music programs have vanished in great numbers, while music study is relegated to the conservatories which, with their widespread tendency to essentialize musical experience as performance in the most limited sense of the word, have contributed further to this dichotomy.My point is that all of us, including Trollinger, may wish to reconsider the nomenclature that we carry into this debate from the outset. Because the word "performance" has become strongly associated with this particular pole (it is no accident that we use this word to describe car engines and stock returns) I suggest we can best elevate our estimation of the term by replacing it with the word "musicianship." In this way we can repair some of the damage done by the Cartesian split and the consequent de-valuing of performance that has occurred through separation from its original context. Within such an integrated model, it would become problematic to debate the relative importance of performing, listening, theorizing, or any number of activities with regard to the overall goals of musicianship... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IS GOD ESSENTIALLY DIFFERENT FROM HIS CREATURES? RAHNER'S EXPLANATION FROM REVELATION INTRODUCTION IN THIS PAPER we shall discuss two questions concerning the doctrine of God in the theology of Karl Rahner. What is it? On what is it based? In the process, we shall critically examine the relationship between the doctrine of God and Rahner's view of Christian revelation, focusing on the nature of theological method. Analysis will proceed (...) in two ways: comparison of Rahner's method with what I see as the method of scripture (faith seeking understanding) and with that of traditional Thomism as represented by Etienne Gilson. In Foundatians of Christian Faith, Chapter ~. "Man in the Presence of Absolute Mystery," Theological Investigations, volume 4, "The Concept of Mystery in Catholic Theology," and Theological ln1Yestigations, volume 11, "The Experience of God Today " Rabner develops his doctrine of God from his concept of absolute mystery which is drawn from human experience of reality according to his transcendental method. This method itself establishes the foundation for answering the first question, as we shall see. In answering the second question it is important that we examine carefully the foundation and determining element for any concept of God and of the creature's relation with God. The following issues will have to be discussed also: the nature of and need for Christian revelation, the role of faith and the kind of relation which exists between the Creator God and creatures. We shall discuss how Rahner deals with the free grace of God's revelation and presence in history while synthesizing creaturely self-tran575 576 PAUL D. MOLNAR scendent experience with grace and revelation according to his transcendental method. Such synthesis perceives the reality of God according to the constructs of natural theology and eliminates any practical need for revelation and faith in the triune God as the only true God. Moreover, we hope to show that the starting point for Rahner's transcendental method [human experience] is the very £actor which causes irreconcilable conflicts for a theology which claims to be a theology based on revelation. Rahner's analysis of experience is profound and has been useful for many in describing the creature's relation with the Creator. But as long as it is thought that our self-transcending experiences provide a point of departure for knowing the true God, Christian theologians will always have difficulty actually distinguishing God from their ideas about Hirn. For scriptural faith the point of departure for knowing the reality of God was and remains God's own free self-manifestation in His historical interventions within the realm of experience. As we shall see, this very point is what Rahner seeks to uphold. But in fact his method causes him to be inconsistent. While he would insist that this historical intervention is what happened in Israel, in Christ and in the Church; his method cannot a11ow him to hold consistently that the only point of departure for knowing the truth about our experiences is the Word of God revealed and active in Christ and the Spirit. Thus, true knowledge of God for Rahner is simultaneously ascribed to the grace of God and to our innate knowledge of absolute being. This claim is actually indebted to the Cartesian method and, as we shall see, it causes logical and theological problems for a theology that claims to be a theology of revelation. Concerning Rahner's doctrine of God, then, we return to the opening questions: What is it? On what is it based? Following Rahner's own outline in Fottndations of Christian Faith these questions can only be answered together by tracing the development of his own logic based upon the transcendental experience of our" horizon." Rahner's doctrine of God begins RAHNER'S EXPLANATION FROM REVELATION 577 from the assumption that an experience of one's "horizon " is an experience of God. And this assumption dictates what it is. Therefore, in Rahner's thought, these two questions cannot in fact be separated. Rahner provides no other foundation for this assumption than the idea that man must think and act in light of this horizon. Instead of pointing beyond the circle of human experience to show us... (shrink)

René Girard speaks of the return of the religious as a “return of the sacred… in the form of violence.” This violence was inherent in the original “sacrificial system,” which deflected communal violence onto the victim. In this article, I argue that there is a double return of the sacred. With the collapse of the original sacrificial system, the sacred first reappears in the legal order. When this loses its binding claim, it reappears in the political order. (...) Here, my claim will be that Carl Schmitt’s conception of the political is not simply structurally similar to Girard’s conception of the sacrificial system. It is actually a manifestation of this. In this political return of the religious, the religious and the political systems are conflated. What prevents us from seeing this is the self-concealment that is essential to the sacrificial act, a self-concealment that also characterizes its twofold return. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Motherhood According to KristevaOn Time and Matter in Plato and KristevaFanny SöderbäckThe state of the maternal has been disputed among feminists for quite some time. Julia Kristeva, whose work will be my focus of attention here, has been criticized for her emphasis on the maternal, particularly with regards to her alleged equation of maternity with femininity. Critics have suggested that such equation risks reducing woman to the biological function (...) of motherhood. Judith Butler, to give an example to which I will return at length, speaks of a “compulsory obligation on women’s bodies to reproduce” (Butler 1999, 115; I will refer to this text as GT for the remainder of this essay). Kristeva herself has noted that “it seems... difficult to speak today of maternity without being accused of normativism, read: of regression” (Kristeva 2003, 207).I will argue that Kristeva by no means reduces woman to the function of motherhood. Rather, she returns to the maternal body at least in part to free woman from this very reduction. By bringing the mother out of the shadows, she provides women with a past (a genealogy of their own, a community of women, a history hitherto repressed) and, simultaneously, with a future (in the sense of liberating them from predefined roles and positions—from motherhood as the only form of subjectivity available to them). It is exactly the future that is at stake when Kristeva speaks of the maternal, and more specifically, it is the possibility of temporal change that depends on it. The maternal body to which she urges us to return must, as I see it, be understood qua temporalization : that to which we return is temporal, moving, displacing, renewing. The return is neither nostalgic nor aimed at preserving some essential notion of motherhood—it makes possible [End Page 65] new beginnings, allowing for a future pregnant with change and transformation. Butler ends her critique of Kristeva with the following remark—one that is meant to describe what would happen if we stopped focusing on the mother in the way Kristeva has done hitherto: “The culturally constructed body will then be liberated, neither to its ‘natural’ past, nor to its original pleasures, but to an open future of cultural possibilities” (GT, 119). I will attempt to show that these words in fact capture Kristeva’s own project, that such “open future” is exactly what she is aiming at through her continuous return to the maternal body.The implication of this retrieval of the maternal is twofold: First, it situates Kristeva within a materialist tradition and allows her to articulate and inscribe a morphological-phenomenological legacy of embodiment contra merely constructionist or discursive narratives.1 Second, it gives her ground to rearticulate time as inseparable from space and thus to challenge and overcome the deep-rooted tradition that divides time and space alongside a mind-body dualism. Surprisingly, perhaps, she establishes this ground by returning to a thinker who for many feminist scholars is the example par excellence of the very dualism that is put into question: Plato. This essay aims at carefully tracing Kristeva’s engagement with Plato, and I will argue that the breakdown of the distinction between time and space is to be found at the core of his writing. If, as I will argue here, the maternal body to which Kristeva returns must be understood not only as corporeal but also as a temporal principle, then we are forced to think through the intimate relation between temporality and materiality in ways that will come to challenge and renew the very materialist tradition that Kristeva herself most often is understood to represent.Kristeva’s earliest thematization of the maternal appears in her doctoral dissertation, Revolution in Poetic Language. It is here that she first articulates her notion of the semiotic chora, associating it with the maternal body and early heterogeneous drives.2 Kristeva herself picks up the Greek term chora from Plato’s Timaeus; a dialogue that more than anything deals with the question of beginnings, as it narrates the story of how the cosmos and its living creatures were created. I will turn both to the Platonic text and to... (shrink)

As persons we are irreducibly unique and essentially relational. In many contexts individual uniqueness has been accentuated at the expense of communal relationality. Our age has been marked by the loss of deep and meaningful relations to one another, and still more dramatically to the earth and its living creatures. The cosmological dimension of human personhood, that is, has been largely obscured. This chapter argues that our age has been marked increasingly by anesthetizing, alienating, and anonymizing tendencies. It proposes three (...) commensurate responses: aestheticization, or embodied philosophical knowing that remains faithful to the earth; anacarnation, or willful return to the wonders of embodied life, purged of romantic sentimentality; and attestation, or speaking up on behalf of the haecceitas or thisness of living creatures systematically instrumentalized for profit and pleasure. Together these responses help us to regain touch with animality by embracing the earth that hosts us, thus becoming more gracious guests, and to become more fully human by becoming better hosts to the multitude of earth's creatures, whose lives hang in the balance. (shrink)

With this book we see a philosopher well steeped in the Western tradition thinking through ancient Eastern disciplines, meditating on what it means to learn to breathe, and urging us all at the dawn of a new century to rediscover indigenous Asian cultures. Yogic tradition, according to Irigaray, can provide an invaluable means for restoring the vital link between the present and eternity--and for re-envisioning the patriarchal traditions of the West. Western, logocentric rationality tends to abstract the teachings of yoga (...) from its everyday practice--most importantly, from the cultivation of breath. Lacking actual, personal experience with yoga or other Eastern spiritual practices, the Western philosophers who have tried to address Hindu and Buddhist teachings--particularly Schopenhauer--have frequently gone astray. Not so, Luce Irigaray. Incorporating her personal experience with yoga into her provocative philosophical thinking on sexual difference, Irigaray proposes a new way of understanding individuation and community in the contemporary world. She looks toward the indigenous, pre-Aryan cultures of India--which, she argues, have maintained an essentially creative ethic of sexual difference predicated on a respect for life, nature, and the feminine. Irigaray's focus on breath in this book is a natural outgrowth of the attention that she has given in previous books to the elements--air, water, and fire. By returning to fundamental human experiences--breathing and the fact of sexual difference--she finds a way out of the endless sociologizing abstractions of much contemporary thought to rethink questions of race, ethnicity, and globalization. (shrink)

Resumen: Las dificultades para ser escuchado del menor extranjero en cualquier procedimiento que le afecte ponen de relieve las deficiencias generales existentes en nuestro ordenamiento jurídico para hacer efectivos los derechos de los que son titulares las personas menores de edad, sean extranjeras o no. Se analiza en primer lugar el artículo 12 de la Convención de los Derechos del niño, las condiciones imprescindibles para para hacer efectivo el derecho a ser escuchado y la conexión que existe entre ese derecho (...) y la consideración primordial de su interés superior. A continuación se hace un repaso de la regulación española de los procedimientos de repatriación de menores extranjeros no acompañados a la luz del interés superior del menor y su derecho a ser escuchado. Abstract: The current challenges that migrant children face to have their right to be heard fulfilled and respected, put in evidence the general deficiencies of our legal system ensuring the effective enjoyment of children rights, irrespective if the children in question are migrant or not. At the outset, article12 of the Convention on the Rights of the Child and its content is analysed, including the essential requirements for an effective implementation and enjoyment of the right to be heard and its linkages with the best interest of the child as the primary consideration. An analysis of the Spanish regulations under the return procedures for unaccompanied foreignchildren is also provided in light of the respect of the best interests of the child and their right to be heard. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Aspiration to the Condition of TouchChristopher Perricone"The Dance," written by William Carlos Williams in 1944 is one of my favorite poems: I return to it regularly. Williams gives us a feel for that life of the kermess (a carnival) in his poem through Breughel's picture, as it were three times removed from the event itself. Of course, unlike Plato, I would argue that the vitality of the (...) kermess is not lost in the poem; it is actually enhanced by a subtle sleight of hand. The poem isn't primarily about Breughel's picture. It is about dance, about the dancers who go round, their squeal, the crude music, its rollicking measures, the dancers kicking and rolling and swinging, their hips, bellies, and butts. Reading and re-reading this poem, I "see" those ordinary folk of Breughel's great picture. I "hear" their music. I "move" to their dance. The poem seems a condensation, a summary of the fine arts. Perhaps the poem is about poetry's power to reinvigorate imaginatively what we hear and see. Perhaps I think of festivities at which I have danced, how such festivities are essential to the human experience. Perhaps, William Carlos Williams in 1944, World War II coming to a close, was anticipating similar good times. As always, it's best to let the poem speak for itself:In Breughel's great picture, The Kermess,the dancers go round, they go round and around, the squeal and the blare and the tweedle of bagpipes, a bugle and fiddles tipping their bellies (round as the thick-sided glasses whose wash they impound) their hips and their bellies off balance to turn them. Kicking and rolling about the [End Page 229] Fair Grounds, swinging their butts, those shanks must be sound to bear up under such rollicking measures, prance as they dance In Breughel's great picture, The Kermess.The visual, musical, and literary arts do much to educate our senses, especially our senses of sight and hearing. The well-formed visual and auditory sensations we gain from the arts are, as it were, the melody of those experiences. They are the images we store away, the tunes we whistle. However, here, I want to draw attention to an overlooked, although not entirely disregarded, sense, i.e., touch. I want to argue that touch is the bass line to the melody of sight and hearing in the arts, i.e., that touch keeps the work of art coherent and grounded.This is an old idea. Bernhard Berenson had the idea when he was examining the painters of the Italian renaissance. Berenson argued that great painting stimulates touch, which inspires, our "tactile imagination," which produces our "tactile values." Here lay, according to Berenson the genius of Giotto. Tactile imagination and values enchance the "material significance" of a work; they act as a "test of reality." Berenson was on to something not only about painting but about the arts in general. However, in the late nineteenth and early twentieth centuries he lacked the scientific evidence about touch and its role in human relationships to develop his idea of tactile values to any great extent.1Although Berenson had keen intuitions, he didn't know about the biological/psychological nuts and bolts of touch. Thus, he never knew about the detailed nature and extent of our physical contact with other physical things in the world. He didn't know about Merkel's discs, Ruffini and Pacinian corpuscles. He didn't know about hierarchical and parallel levels of brain processing. Berenson didn't know that more brain space in the somatosensory cortex is given to the hand than to any other part of the body, that your fingers especially have a high density of touch receptors compared to other body areas. Today, all this information is standard textbook fare.2 Many neuroscientific details need to be worked. However, a general picture based on hard evidence has begun to emerge.This information adds significant substance to Berenson's ideas. Berenson's "third dimension" is essentially a sense of temperature, pressure, vibration, and texture. And chances are the tactile imagination is inspired most by what is touched by... (shrink)

Alan M. Turing, pioneer of computing and WWII codebreaker, is one of the most important and influential thinkers of the twentieth century. In this volume for the first time his key writings are made available to a broad, non-specialist readership. They make fascinating reading both in their own right and for their historic significance: contemporary computational theory, cognitive science, artificial intelligence, and artificial life all spring from this ground-breaking work, which is also rich in philosophical and logical insight. An introduction (...) by leading Turing expert Jack Copeland provides the background and guides the reader through the selection. About Alan Turing Alan Turing FRS OBE, (1912-1954) studied mathematics at King's College, Cambridge. He was elected a Fellow of King's in March 1935, at the age of only 22. In the same year he invented the abstract computing machines - now known simply as Turing machines - on which all subsequent stored-program digital computers are modelled. During 1936-1938 Turing continued his studies, now at Princeton University. He completed a PhD in mathematical logic, analysing the notion of 'intuition' in mathematics and introducing the idea of oracular computation, now fundamental in mathematical recursion theory. An 'oracle' is an abstract device able to solve mathematical problems too difficult for the universal Turing machine. In the summer of 1938 Turing returned to his Fellowship at King's. When WWII started in 1939 he joined the wartime headquarters of the Government Code and Cypher School (GC&CS) at Bletchley Park, Buckinghamshire. Building on earlier work by Polish cryptanalysts, Turing contributed crucially to the design of electro-mechanical machines ('bombes') used to decipher Enigma, the code by means of which the German armed forces sought to protect their radio communications. Turing's work on the version of Enigma used by the German navy was vital to the battle for supremacy in the North Atlantic. He also contributed to the attack on the cyphers known as 'Fish'. Based on binary teleprinter code, Fish was used during the latter part of the war in preference to morse-based Enigma for the encryption of high-level signals, for example messages from Hitler and other members of the German High Command. It is estimated that the work of GC&CS shortened the war in Europe by at least two years. Turing received the Order of the British Empire for the part he played. In 1945, the war over, Turing was recruited to the National Physical Laboratory (NPL) in London, his brief to design and develop an electronic computer - a concrete form of the universal Turing machine. Turing's report setting out his design for the Automatic Computing Engine (ACE) was the first relatively complete specification of an electronic stored-program general-purpose digital computer. Delays beyond Turing's control resulted in NPL's losing the race to build the world's first working electronic stored-program digital computer - an honour that went to the Royal Society Computing Machine Laboratory at Manchester University, in June 1948. Discouraged by the delays at NPL, Turing took up the Deputy Directorship of the Royal Society Computing Machine Laboratory in that year. Turing was a founding father of modern cognitive science and a leading early exponent of the hypothesis that the human brain is in large part a digital computing machine, theorising that the cortex at birth is an 'unorganised machine' which through 'training' becomes organised 'into a universal machine or something like it'. He also pioneered Artificial Intelligence. Turing spent the rest of his short career at Manchester University, being appointed to a specially created Readership in the Theory of Computing in May 1953. He was elected a Fellow of the Royal Society of London in March 1951 (a high honour). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:To Shape a New World: Essays on the Political Philosophy of Martin Luther King, Jr. ed. by Tommie Shelby and Brandon M. TerryErin R. PinedaTommie Shelby and Brandon M. Terry, editors. To Shape a New World: Essays on the Political Philosophy of Martin Luther King, Jr. Cambridge, MA: Harvard University Press, 2020. Pp. 464. Paperback, $20.00.In the summer of 2020, as cities across the globe erupted in protest (...) after the murder of George Floyd, references to Martin Luther King, Jr. abounded: while a familiar cast of politicians evoked his memory to scold riotous protestors, others issued King's rejoinder that "the riot is the language of the unheard" (King, "The Other America," 1967). Many such invocations no doubt smacked of the "ritual celebration" and "intellectual marginalization" [End Page 339] that, as Tommie Shelby and Brandon M. Terry observe, have long marked King's reception as a political thinker (2). But in another sense, the seemingly inevitable return to King points to the significant stakes of taking his thought seriously and the political danger of laying claim to interpretive mastery. Struggles over King's legacy and the terms of his thought are not just about King but form part of the discursive terrain on which struggles over the demands of racial justice and the means of transformative collective action are waged.Shelby and Terry's ambitious, illuminating volume, To Shape a New World, first published in 2018 (timed to mark the fiftieth anniversary of King's assassination) and released as paperback in 2020 (amidst the George Floyd uprisings), invites us to take King seriously in just this sense: with an acute sensitivity to the stakes and an embrace of an interpretive pluralism that refuses the certainty of a singular, definitive reading. The collection facilitates rigorous engagement with King's thought in its own time and place but also presses the question of what we ought to do with it in this current "age of impunity and mendacity," standing amid the "unraveling" edges of "American empire," as Cornel West puts it (331). In posing and answering this question across its fifteen essays, the collection seeks to do justice to King as both a political philosopher and a political activist—a religious and political thinker whose philosophies were worked out not only behind the pulpit or within the academy, but also (and perhaps primarily) in concert with others on the field of political action. Indeed, one of its primary contributions is to challenge mainstream presumptions about what counts as political philosophy—its boundaries as a genre as well as the spaces where we imagine political philosophizing to happen and the figures we position as its primary producers.The volume is organized into four sections. The first, "Traditions," is devoted to exploring some of King's diverse intellectual influences. Here, the emphasis is less on making the case for particular traditions as the essential ones, and more on exploring the use of different interpretive lenses for shedding new light on his ideas. Three essays put King in context with thinkers he directly engaged: Robert Gooding-Williams places him in conversation with W. E. B. Du Bois and Booker T. Washington to reveal the structure of King's account of dignity amid the constraints of racial injustice; Bernard Boxill shows how King's theory of civil disobedience builds on—and collectivizes—Frederick Douglass's account of comparative freedom; and Karuna Mantena explores the theory of nonviolent action that King, through figures like Benjamin Mays and Howard Thurman, adopted and adapted from Gandhi. In contrast, Paul Taylor argues that we should read King in the company of moral perfectionists Stanley Cavell and Christopher Lebron—as showing us how practices of self-criticism, self-transformation, and experimentation enable "citizens to remain dissatisfied with things as they stand" while remaining "open to the possibility that justice will require reconstructing both society and the self" (41).In the next section, contributors turn their attention to King's "Ideals"—the ethical and political imperatives that shape the ends and means of the struggle for a new world. Like Mantena, Martha Nussbaum reads King alongside Gandhi to focus on King's insistence on channeling righteous... (shrink)

After receiving the divine authorization from Allah to openly notify people of Islam, the Messenger of Allah started to publicly to invite the people of Mecca to Islam. Idolaters however felt heavy shame to give up the faith of their ancestors, and the pagans did not accept the Prophet's invitation to Islam. They applied various pressures to the Messenger of Allah and the believers to renounce the cause of Islam. When the animosity against the new Muslims became intolerable, Almighty Allah (...) gave permission to immigrate, first to Habasha and then to Medina. Some of the companions of the Prophet periodically immigrated to Habasha and then to Medina. In the sources that have survived to the present day, poets (ṣaḥāba: companion of the Prophet Muhammad peace be upon him) reflect the events experienced during the immigration to Medina and the intensity of emotions they felt during the holy journey. These poets demonstrate in their writings a sense of elation and pride, having followed the Prophet's favorable advice to immigrate to Medina and portend that their religion will be strengthened in Medina by their presence. Their poems in terms of style are more focused on unscripted, or spontaneous feelings, a style of pauses to give harmony between the shorter verses, unlike long poetic tradition in the period of ignorance (Jāhiliyya).Summary: The Messenger of Allah comes into the world of Mecca, where injustice and distorted belief forms prevail, and when he is forty years old, he is commissioned as a prophet by Allah Almighty. Considering the possibility that the Islamic invitation will not be accepted and welcomed by the pagan Arabs in Mecca, the Prophet tries to spread his cause among the people only he has trusted for three years. When revelation regarding publicly conveying Islam came, the Prophet begins to openly invite the people of Mecca to Islam. Since leaving the beliefs that are patrimonies preponderated the pagans, they started oppressing the Prophet and the believers. When the pressure exerted by the pagans exceeded the limit of tolerance, the Prophet advised the Ṣaḥāba for the temporary migration to Abyssinia. Some Muslims in need of protection followed the advice of the Messenger of Allah, and they migrated to Abyssinia. In the meantime, the Prophet was under the protection of his uncle Abū Ṭālib. After the death of Abū Ṭālib, the pressure on the Prophet increased day by day. Moreover, it was even planned by the pagans to have them eradicated through conspiring against them. The Prophet, who understood that he cannot convey Islam in Mecca, went to Tāif to describe his case. The Prophet, however, faced a harsh reaction in Tāif and was forced to return to Mecca.In the meantime, the people of Medina were in search of a leader to eliminate the mess in consequence of wars and instability with Jews on the one hand and among each other on the other hand. The Prophet came to Mecca in the Ḥājj (pilgrimage) season and also presented the religion of Islam to groups from Medina People who perceived that the Prophet has the features to overcome the disasters between them, they pledge allegiance to the Prophet through the agreements known as Bay‘a al-‘Aqaba in the region called al-‘Aqaba, respectively as Bay‘a al-‘Aqaba I and II. In this way, the city of Medina became ready to welcome the immigrants and to be a base of the Islamic religion that will open up to the world. Almighty Allah is first allowed to Ṣaḥāba and then to Prophet to migrate to Medina and with migration of Prophet to Medina, a significant breakthrough was achieved in the history of Islam.Since the issue of the migration to Medina corresponds to the early period of Islam, the sources of poetry reflected the migration of the Ṣaḥāba to Medina are few in number. Relevant texts in the available sources can be found consist of five articles as, three of them belong to Abū Aḥmad b. Jaḥsh, the fourth belongs to Bujaid b. 'Imran al-Huzâ'î'e and the last one belongs to an unknown poet. Because of his connection to the hegira, a verse pursuant to idolater poet Utbe b. Rabî‘a was also included in the subject. In related poem texts, it is seen that the Ṣaḥābahs poets had prided themselves on the fact that they followed the advice made by the Messenger of Allah on his way to hegira to Medina and they tried to reflect the intensity of emotions they experienced in the face of the developments that occurred since the first moments of the movement of emigration to the poems. Determined to migrate to Medina in order to strengthen the Islamic invitation, the poet Abū Aḥmad reflected the self-confidence of walking on the right way. Abū Aḥmad promised the Messenger of Allah that he will migrate to Medina and he was faithful to his word. Abū Aḥmad tried to resolve his concerns of his wife Umm Aḥmad that they might be harmed by the polytheists if they migrate to Medina and emphasized that they migrate to Medina in order to strengthen the God Almighty against superstitions.Undoubtedly, the concerns of Umm Aḥmad in this context give clues about the dimensions of mobbing, oppression and torture policies applied to Muslims in Mecca. Abū Aḥmad and his associates were full of belief that Almighty Allah will meet their expectations as they migrate to Medina in line with the recommendations of the Prophet. In this respect, the poet turns a deaf ear to the advice of many men, women and friends to not to leave Mecca environment that he was born and grew up in and the memories that adorns his inner life shaped. The poet also points to the importance of the fellowship of Islam, rather than the spirit of Jāhiliyya As a matter of fact, because of tribal chauvinism, the poet called for the termination of hostilities in the past and convinced those around him to follow the call. In this respect, the poet is in peace with the fact that the family members will also have the blessings waiting for those who migrate for Allah. According to the poet, the idolaters who favored blasphemy and who opposed Muslims, deserved the wrath of Allah. Even if there are blood ties with the Muslims, the idolaters who favor the blasphemy and opposed the Muslims are frustrated. In another poem, the poet also boasts Ghanm family, of whom he was a member, because they had fulfilled the promise they had given to the Prophet, that they would migrate to Medina. According to the poet, the Ghanm family is essentially loyal to the Prophet. As a matter of fact, the Ghanm family, which once occupied Mecca and lived off in Mecca, left the lands they lived in for Allah and migrated to Medina in groups of single and two in order to strengthen the invitation to Islam.Poet Bujaid b. ʿImrān al-Khuāz‘i boasts about the fact that Khuzā'a tribe, of which he was a member, that is the lower tribe of the Kaʿb sons, supported the Prophet and some of his people migrated to Medina in his verses. In fact, according to the poet, the members of the Khuzā'a tribe trotted off to the Medina on the advice of the Prophet without wasting any time. Moreover, due to the agreement between the Khuzā'a tribe, who played a key role in the reasons causing conquest of Mecca, and the Prophet, Mecca was conquered and Mecca skies were cleaned from idolatry mist. The Khuzā'a tribe was instrumental owing to their admirable attitude in the conquest of Mecca and the Prophet to gain strength, despite the idolaters who once forced the Prophet to leave Mecca. In the verses of the unidentified poet, it is seen that the names of the eight Ṣaḥāba who were subjected to oppression in the most troubled early periods of Islam, who left their homeland for Allah, migrated to Abyssinia or Medina and were heralded to enter heaven were mentioned. According to an unidentified poet, it is not possible for anyone to reach the rankings of these eight people due to the beautiful actions they performed.In the last poem text, it is seen that the poet Abū Aḥmad was dissatisfied with the confiscation and sale of his house by Abū Sufyān when he emigrated to Medina. In the verses, the poet likens his home being unjustly confiscated by Abū Sufyān to a hunter holding the dove he seized tightly and he emphasizes that he will get his due in the afterlife from Abū Sufyān.The poetry texts bearing the traces of migration to Medina are a continuation of the poetry technique of the period of Jāhiliyya in terms of the poetry technique, when wordings that are in accordance with the spirit of Islam are left aside. As a matter of fact, poets try to reflect the intensity of emotions they live in short verses instead of long term poems. Again, poets use the types of art, such as borrowing, metaphor and comparison, which are frequently used in the poetry of the Jāhiliyya in order to bring the intensity of emotion they live in closer to the audience's perception. Poets build on these poems on taweel, muteqâreb, baseet and qamel, which are frequently found poetic measures in the poetry of Jāhiliyya. As a last word, it is necessary to say that the poetry texts of Ṣaḥāba poets are historical objects in terms of shedding light on the events experienced during the Hijra. Again, the poem texts in question are important in terms of getting an idea about the state of old Arabic poetry during the transition period from the period of Jāhiliyya to the period of Islam. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Response to Masafumi Ogawa, “Music Teacher Education in Japan: Structure, Problems, and Perspectives”Peggy WheelerMasafumi Ogawa's paper presents challenge after challenge facing the teacher and the teacher educator in Japan. One has the sense that a lifetime of frustrations with the national curriculum, the set-up of student teaching, and the definition of music as a school subject each made its way into the paper. Even choosing to focus on teacher (...) training still leaves a very broad topic for a relatively short paper. The central challenge seems to be the curriculum. How does the curriculum impact the teacher and the teacher training process? How does the underlying definition of music as well as the purpose that definition implies affect the curriculum? His paper also identifies a series of dualities or tensions that exist between two important components: the curriculum or teacher education. The fact that Japanese and American music education systems seem to be at opposite ends of some of these dualities is a compelling reason for exploring and discussing them.In the arena of teacher preparation, the dualities as they appear in their relative proportion of the teacher education curriculum are (1) performance versus academic music courses, such as history, theory, and composition, and (2) education versus music courses—a familiar lament among music education students. In student teaching, modeling in the classroom by the cooperating teacher is contrasted with providing opportunities for the student teacher to experiment with the teaching process. Evaluation of student teaching is a three-way tension involving the student teacher, the cooperating teacher, and the university professor.In his discussion of the school curriculum, Ogawa deplores the triumph of attitude over skill, and pleads for discernment in the application of national standards to meet the needs of the community and students. He returns to the nature of music and music education at several points in his paper, expanding the meaning and function of music beyond music as art. His dissatisfaction with the seemingly teacher-proof curriculum peaks when he advocates for the autonomy of the teacher in the classroom. Giving teachers the opportunity to devise their own curriculum seems to go to the other extreme. Having taught with colleagues who had virtually no training in music, a standard curriculum at the district or national level provides some essential boundaries.Ogawa's discussion of the impact of the national Course of Study on Japanese music education was particularly intriguing. As teacher certification in the United [End Page 205] States has begun to promote and reward National Board Certification, it is striking to consider the restrictions and disempowerment that Ogawa describes and credits to the omnipresent Course of Study. For someone unfamiliar with the Japanese system of education, some of the descriptions were enticing but brief. Other descriptions were a bit confusing, but after visiting the MEXT website, I think most of this confusion is due to translation. It is difficult to take any phrase that is packed with meaning in one culture and find a suitable phrase in another culture that will convey the associations that are connected with it. I would recommend quoting complete descriptions or including an appendix. A reference to the history of Japanese music education on Kensho Takeshi's website would also provide more context, particularly for the connection between emotion, music, and ethics.I want to thank Ogawa for stimulating me to consider issues of curriculum including how I have changed my views of curriculum since I returned to school teaching. First, I will describe my change of perspective. Then I would like to close by describing an aspect of curriculum and teacher education that has surfaced this past year. I would call this the meta-curriculum, and I wonder how we can prepare new teachers for this part of teaching. It seems to me that the world of philosophy is the quintessential and perhaps the only appropriate arena for this preparation.Beyond Curriculum in the ClassroomLike the first spring rain on newly cut grass, music education has a fresh and vital look to me. I returned to public school teaching this year after a hiatus of seventeen years. After focusing on viola performance and liberal arts... (shrink)

Marc Jeannerod is director of the Institut des Sciences Cognitives in Lyon. His work in neuropsychology focuses on motor action. The idea that there is an essential relationship between bodily movement, consciousness, and cognition is not a new one, but recent advances in the technologies of brain imaging have provided new and detailed support for understanding this relationship. Experimental studies conducted by Jeannerod and his colleagues at Lyon have explored the details of brain activity, not only as we are actively (...) moving, but as we plan to move, as we imagine moving, and as we observe others move. His work also captures important distinctions between pathological and non-pathological experience. In The Cognitive Neuroscience of Action , Jeannerod focussed on object-oriented actions. What happens in the brain and what do we experience when we reach to grasp an object? How do we plan an action of that sort? To what extent does explicit motor imagery contribute to such action? What role does a motor representation or motor schema play in the accomplishment of action? At the very end of that book he raises questions that seem quite different. How is it possible to understand the intentions of others? Precisely what mechanisms allow us to imitate other people's actions? In more recent years much of Jeannerod's work has been in pursuit of these questions about interaction with others, and he has helped to show that there are intimate connections between moving ourselves and understanding others. Jeannerod's work does not lack important implications for a philosophical understanding of human activity. Although in contemporary philosophical debates on consciousness one can still find arguments that simply ignore bodily movement as an important factor in cognition, several recent works have returned to serious consideration of movement and action . In the following interview Jeannerod discusses many issues relevant to the philosophy of mind and action, including concepts of intentionality, movement and consciousness of movement, the role of simulation in understanding others, and the best way to conceptualize brain processes in all of these regards. Importantly, he makes constant reference to the empirical evidence, much of it developed in his own experimental studies. (shrink)

With this book we see a philosopher well steeped in the Western tradition thinking through ancient Eastern disciplines, meditating on what it means to learn to breathe, and urging us all at the dawn of a new century to rediscover indigenous Asian cultures. Yogic tradition, according to Irigaray, can provide an invaluable means for restoring the vital link between the present and eternity -- and for re-envisioning the patriarchal traditions of the West. Western, logocentric rationality tends to abstract the teachings (...) of yoga from its everyday practice -- most importantly, from the cultivation of breath. Lacking actual, personal experience with yoga or other Eastern spiritual practices, the Western philosophers who have tried to address Hindu and Buddhist teachings -- particularly Schopenhauer -- have frequently gone astray. Not so, Luce Irigaray. Incorporating her personal experience with yoga into her provocative philosophical thinking on sexual difference, Irigaray proposes a new way of understanding individuation and community in the contemporary world. She looks toward the indigenous, pre-Aryan cultures of India -- which, she argues, have maintained an essentially creative ethic of sexual difference predicated on a respect for life, nature, and the feminine. Irigaray's focus on breath in this book is a natural outgrowth of the attention that she has given in previous books to the elements -- air, water, and fire. By returning to fundamental human experiences -- breathing and the fact of sexual difference -- she finds a way out of the endless sociologizing abstractions of much contemporary thought to rethink questions of race, ethnicity, and globalization. (shrink)

How should we understand the method of the critique of political economy in Capital? Returning to the epistemic problem endemic to the notion of critique in Marx is essential today. The method organizes the relation between the economic analysis of exploitation and the historical analysis of expropriation central to current debates concerning Marx’s corpus. In this article, I seek to establish the significance of the epistemic problem, pointing out the gaps generated when the dialectical character of Marx’s method is suppressed. (...) To this end, I consider two interpretations of Capital, one normative, exemplified by the work of Karen Ng, the other dialectical, exemplified by the work of Stephanie Smallwood. (shrink)

These documents, published here for the first time, present the Treasury's counter-arguments during the period when Keynes was developing the ideas that led to the Keynesian revolution in economic policy. Keynes spent much effort trying to persuade the Treasury to adopt policies designed to raise employment and stabilise prices, and to create an international monetary system that would favour these objectives. His arguments are set out fully in the Royal Economic Society's 30-volume set of The Collected Writings of John Maynard (...) Keynes. In contrast, the views of his Treasury critics have hitherto been much less accessible.Economists and historians have tended to assume that Keynes was right and the Treasury was wrong; this volume shows that the Treasury anticipated the political problems that would be encountered in putting Keynes's ideas into practice. Much of what Keynes published was deliberately polemical: he believed that words should be 'a little wild', for they were 'the assault of thought on the unthinking'. Treasury officials were by no means as unthinking as Keynes tended to portray them, and they had a coherent and intellectually respectable understanding of public finance. Ministers in the inter-war period and early in the Second World War were sensitive to the use that political opponents might make of Keynes's arguments; officials had to provide counter-arguments, and in doing so they revealed much about their views on economics and public finance. Once Keynes became an adviser to the Chancellor of the Exchequer in 1940, the debate became internal to the Treasury, but officials continued to subject Keynes's ideas to critical analysis.The documents in this volume show Treasury responses to Keynes on a range of issues crucial to understanding the period and the context of the Keynesian revolution in public policy. The topics covered include: the return to the gold standard; the use of public expenditure to cure unemployment in the inter-war period; how to avoid inflation in the war; planning for the post-war international economy; and the 1944 white paper on employment policy. This edition is an essential tool for the study of a formative period of British history and a great intellectual debate. (shrink)

The face embodies for the individual the sense of identity, that is to say, precisely the place where someone recognizes himself and where others recognize him. From the outset the face is meaning, translating in a living and enigmatic form the absoluteness yet minuteness of individual difference. Any alteration to the face puts at stake the sense of identity. Disfigurement destroys the sense of identity of an individual who can no longer recognize himself or be recognized by others. Disfigurement places (...) a mask on the face. The goal of a facial transplant consists of restoring an individual’s place in the world and reviving his taste for life, returning to him his ‘human shape’. Facial transplants raise essential anthropological questions such as ‘Who am I?’ and ‘To whom belongs this face that henceforth is mine?’. (shrink)

Both Nietzsche and Lawrence have been identified as important fore- runners and progenitors in the development of an ecocentric, “posthumanist” worldview. Nietzsche suggested, and Lawrence developed, the notion of an anti-mechanistic “gay science”. Both writers rejected the Christian denigration of nature, the Romantic notion of a “return to nature” and the instrumentalisation of nature by industrial rationality in favour of a conception of the good life founded in the body and an almost utopian “ascent to nature”. However, since the (...) ascent to nature required an overcoming of existing humanity, both Nietzsche and Lawrence faced the task of articulating a conception of the Over-man – or post-human, as contemporary theory would put it – that is not merely a figure of authoritarian brutality. Deep ecologist Del Ivan Janik has claimed that Lawrence “saw man as part of an organic universe, living best by acknowledging its wonder and rejecting the temptation to force his will upon it. In this sense he stands at the beginning of the modern posthumanist tradition and of the literature of environmental consciousness.” 1 Accurate as this assessment is, however, the struggle with questions of power, gender, sexuality and religion that early posthu- manism involved has tended to be airbrushed out of the dark green reading of Lawrence. And Lawrence's personal spiritual and intellectual struggle was also a creative conflict with Nietzsche. A useful point of departure is Anna Bramwell's comment in Ecology in the Twentieth Century on the somewhat surprising ubiquity of Nietzsche in ecophilosophical works, as it might be applied with equal force to Lawrence: Nietzsche ... is frequently described as an important figure. Why should this be? In reality, he does not conform at all to the model ecologist ... Yet Nietzsche still hovers, worrying but relevant. I will get on to the worries in due course; for the moment, a few words on the relevance of Nietzsche might be in order. For one thing, Nietzsche was not much interested in nature per se; unlike Lawrence, he never concerned himself with either natural beauty or the threat posed to it by late 19th century industrialisation. This may be due in part to his actual environment, which was largely congenial, as Robert Solomon reminds us: From snatches of prose, one might well conclude that Nietzsche wants nothing more fervently than the life of Conan the Barbarian, a role for which he, in particular, was notoriously ill-suited. "Live dan- gerously" he tells us, from the posher resorts in Southern Europe. It seems reasonable to suggest that if Nietzsche was more fascinated by the Provencal art of the troubadours than by the resistable rise of the capi- talist machine economy, his convalescent exile by the Med, away from the industrial heartlands of Northern Europe, may be partly responsible. His chief concern is the overcoming of the Christian and moral misreading of nature – especially human nature – and the corresponding articulation of what HM Robinson calls a “somatic conception of the good life” to replace it. However, Nietzsche only calls for such a conception, rather than fully elaborating it – let alone living it – so he has “little to say about how human intelligence could be so immanent in our physical being as to make our articulation of our physical will to power something expressive of a properly human nature and not of brute strength.” 4 In short, the problem is how to distinguish the ideal, noble Overman from the mere thug. We should not expect to find the close and often reverent attention to the non-human world as such that is an attractive and central feature of Lawrence's writing; Nietzsche's interest is lively but essentially abstract. (shrink)

Understanding the hadiths requires not only knowing the language well but also knowing the intention of the narrator, the environment and context in which the word is uttered. Furthermore, within a language, the presence of the words which have entirely disconnected from their real meaning due to the metaphoric and idiomatic use of them developed in time requires making more efforts to understand them. In this respect, the expression ‘Aqrā-Ḥalqā’ used by Prophet Muhammad (PBUH) for Ṣafiyya in the Farewell Sermon (...) when he was leaving Mecca, is mostly attributed to inauspiciousness and thus, requires special investigation. Determination of the correct meaning and use of the expression will prevent any misunderstanding. However, only the literal equivalences of the expression have been used in its annotations and translations until now. By including the annotations and translations of the expression in dictionaries and Ġarību'l- Ḥadīth books, which were written with a more specific purpose, this study aims to find the most suitable meaning by considering all these data and the data which compatible with the sunnah.Summary: Before the leaving of Prophet Muhammad after the Farewell Sermon, he learned that one of his wife Ṣafiyya is in her period (ḥayḍ). After hearing this, he used the expression ‘Aqrā-Ḥalqā’. These statements are not frequently used in the Arabic language. The expressions, which we encounter in some ancient Arab poems, were mentioned several times in some hadiths while narrating the stories of the past societies (ummah), and as far as we can see they were used only for Ṣafiyya by the Prophet. The reason for Prophet's expression was because after he was informed that Ṣafiyya was in period, he thought that she did not make the obligatory circumambulation. Depending on this, the Prophet thought that they could not returning to Medina immediately; thus, he said this word with the confusion and anxiety caused by the difficulty of staying in Mecca for a while with a crowded pilgrim group. With regard to the meaning of these words, both the diversity in the translations and some negative comments and inferences in the annotations, this study was written.There is a sufficient amount of information about the meanings of this expression in classical dictionaries and works such as Ġarību'l- Ḥadīth. These works state that they have meanings such as death, injury, infertility, illness, bad luck and mourning at the root of the words. Although the fundamental roots of the words have these meanings, the expressions have undergone a change and transformation. As with some other examples in the Arabic language, these words have lost their relevance for their meaning root gradually and have been used more often for astonishment. This information is included in both classical sources and contemporary studies on the subject.Despite the fact that the expression has become independent from their root meaning and has an astonishing sense used in case of confusion, negative emphasis comes to the fore both in Turkish translations and in some commentaries. In Turkish translations, the usages which are related directly to the word itself and emphasizing its meaning for bad luck are dominant, but sometimes translations that give the meaning of astonishment, sometimes translations that are not related to the word have been made, and sometimes they have been contented with latinizing the word instead of translation. Additionally, the malediction used in searching the correct meaning to the word leads to an emphasize toward negativity.While most of the annotations do not give much information about the expressions, it is seen that some authors give a negative meaning to the words and accordingly, they make a comparison between Ṣafiyya and ‘Ā’isha. Because of the special situation of ‘Ā’isha, she was upset that she could not make umrah and she conveyed this situation to our Prophet. Hence the Prophet produced a solution for her to complete her umrah. In the one hand, producing a solution to ‘Ā’isha by the Prophet and comforting her, on the other hand, his expression ‘Aqrā-Ḥalqā’ for Ṣafiyya in a similar situation led some scholars to conclude that Ṣafiyya was not as valuable as ‘Ā’isha in the eyes of the Prophet. However, this result is not acceptable. Although there is no evidence for this, in another annotation, it is conveyed that the Prophet had said these words to her by its meaning for “her tongue is long” because Ṣafiyya spoke to the Prophet with disrespect. Another commentary based on this promise makes the provision that a man can talk heavily to his wife when she delays something.The implications that depend on the assumption these words have negative meanings and produce results related to this assumption are incompatible with other data of circumcision. It could not be possible that the Prophet, who defended Ṣafiyya against the criticism against Ṣafiyya and who even guided him to defend himself, had a bad word for his wife. If the meaning of bad luck is given, then the Prophet will be the first person who disregards his own word “there is no bad luck”. Besides, the Prophet's good communication with the women in all areas of his life makes it impossible for him to say "damn" to one of his wives. It seems it is not logical for the Prophet to say this word to his wife, who is waiting in sorrow in front of his tent even after special worship Hajj.The translations, which are opposed to both the basic principles of religion and the guide life of Prophet, bring many problems. This translations, on the one hand, are drawing a portrait of a prophet who is intolerant to women and their specific situations, degrading women, and able to say rude and bad words whenever he wishes, on the other hand, are reflecting an image for the Prophet who does not comply with his own warnings. However, based on the information provided by the classical dictionaries, translations such as "Alas!" to indicate the magnitude and gravity of the situation that the word is currently facing, or "Wow!" to express the astonishment, will prevent all these negative consequences.As in many other fields, the translation of religious texts, especially hadiths, appears as an area that needs to be carefully considered in this regard. Thus, the expression ‘Aqrā-Ḥalqā’ was chosen as the main theme of this study. The translation of hadiths has an essential function and the only way for those who do not speak Arabic is to learn about the life of the Prophet. For this reason, one of the main results of the study is that only knowledge on grammar is not sufficient for the translation of the hadiths. On the contrary, the persons who will translate hadiths must have many competencies in the field such as the reasons for hadiths, their relationship with other hadiths, and understanding the hadith in line with the basic principles. Beyond this knowledge, it should be expected to master areas that require particular studies such as strange words in the language, meaningful constrictions, enlargements and shifts over time, proverbs and idiomatic expressions. Otherwise, it will be impossible to prevent a biased and wrong prophet representation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:One to NGirard's Philosophy of InnovationJohnathan Bi (bio)What does a theorist of imitation have to teach us about innovation? What could a thinker focused on the distant past have to offer us in building the immediate future? The answer to both questions, I hope to show, is a significant amount. I aim to rescue and develop a neglected strand of Girardian thought from one of his overlooked essays on (...) a topic seemingly antithetical to imitation: innovation. This task proceeds in five steps. First, I articulate two contemporary perspectives on innovation, one dominant and one in the minority. Second, I reconstruct Girard's historical argument from "Innovation and Repetition" in favor of the minority view and, third, his psychological argument against the dominant view. Fourth, I show how Girard's philosophy of innovation sublates crucial features of both poles and provides an alternative mode for conceiving the future.1 Lastly, I wrestle with an immanent objection that threatens the prescriptive force of his entire argument and, even when reconciled, leads me to depart from Girard's conclusions, albeit in the most Girardian of ways. [End Page 71]INNOVATION AND IMITATIONThe dominant view of innovation is that it is opposed to imitation. The foundational type of opposition between the two is metaphysical: imitation and innovation are actions different in kind and must be conceived of as such. Peter Thiel's famous formulation is representative: certain actions, companies, and countries are innovative, going from "zero to one," while others are imitative, going from "one to N."2 This distinction is mostly accepted without question in the social sciences, underpinning entire disciplines such as innovation studies.3 This near-universal consensus, however, is a modern phenomenon. The Latin innovatio, for example, described innovation as being inseparable from the imitation of the past: the Jews returning to Jerusalem, Job having his wealth restored, or the rebirth of a phoenix.4 The word itself reveals as much. Innovatio is derived by appending the prefix in- (within, from inside) to novitas (novelty). It meant novelty that preceded from within, or renewal. Under this view, innovation was not about breaking free or starting from a blank slate, zero to one, but rather rescuing and developing an already formed foundation, one to N. Innovation was identical with the imitation and adaptation of that which is essential but has been obscured. Only beginning in the twentieth century has imitation been so strongly demarcated from innovation.5Built on top of this metaphysical opposition is a practical opposition. Not only are the two actions distinct, they are incompatible: the more one imitates, the more one risks eroding one's ability to innovate. This stronger form of opposition is exemplified by the idea of the "untutored genius" whose source of creativity is solely internal: a fully formed natural endowment not requiring learning nor external inspiration from divinity or nature. This idea gained ascendancy in the seventeenth and eighteenth centuries, and proponents believed that imitation of tradition impeded the expression of one's own innate genius.6 If one wants to write a great book, this idea goes, one ought not read great books for fear that they will crowd out one's original ideas. Even in the twentieth century, Wittgenstein expressed this exact sentiment when he proudly claimed not to have read any Aristotle or engaged deeply with the history of philosophy and considered those who have "academic and therefore unauthentic philosophers."7 Of course, not all modern thinkers see innovation and imitation as practically opposed in such a strong way.8 But even for most who treat the two as harmonious, imitation tends to be relegated to a secondary afterthought as the mere mechanism by which innovation, the primary source of value creation, spreads. This, then, is the third form of opposition drawn out [End Page 72] between the two concepts: a normative one. Imitation is, at best, of secondary value when compared to acts of innovation.The practical and, to a lesser degree, normative oppositions appear so unsound as to not warrant serious engagement, and already contested by theorists who study innovation as to not require another rebuttal. What makes Girard's response to them... (shrink)

It is argued that the way towards understanding the experiments with visible light which purport to exhibit nonlocality lies in a return to the wave theory of light. A connection is also indicated between the present-day photon description and the pre-wave-theory corpuscular description, and hence we see that, essentially, the problem of nonlocality in physics was solved nearly two centuries ago by Young and Fresnel.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Practical Necessity, Freedom, and History: From Hobbes to Marx by David JamesMeghan RobisonDavid James. Practical Necessity, Freedom, and History: From Hobbes to Marx. Oxford: Oxford University Press, 2021. Pp. 256. Hardback, $70.00.In his newest monograph, David James offers an elaborate, well-wrought reflection on human freedom and its limits by considering five canonical modern philosophers: Hobbes, Rousseau, Kant, Hegel, and Marx. Judging from the table of contents, the book (...) appears to be a work in the history of philosophy: each of the chronologically organized chapters examines a different aspect of necessity, history, and freedom in one of the five philosophers just mentioned. By focusing on those thinkers, James tracks a progression in the modern reflection on the nature of freedom and its relation to constraint. Specifically, he argues that such a progression culminates, with Marx, in finally getting the right understanding of the relation between freedom and two kinds of necessity—one practical, the other historical. This is an extremely ambitious book, and its scope is extensive: by its end, James has considered more than thirty philosophical works spanning nearly two hundred years. Yet, even though it makes several contributions to various longstanding scholarly debates, Practical Necessity, Freedom, and History is not a work of intellectual history. Its main seven chapters—each of which offers a richly complex interpretative analysis that is sure to challenge any reader, even a specialist—are preceded by an introduction that explains that the book's aim is to contribute to a vision of society where necessity and freedom are reconciled. This aim is not a mere framing device but structures the book's contents as well its interpretive method.On James's account, the project of reconciling freedom with necessity—which was initiated by Rousseau in the eighteenth century and then developed by each of the modern philosophers examined in this book (with the exception of Hobbes [9])—remains incomplete. James explains this incompleteness as in part due to the success of the "two-liberties" conception of freedom outlined by Isaiah Berlin which he understands as the "liberal" idea according to which liberty begins and ends where others are prohibited from interfering in one's freedom and the "neo-republican" idea according to which the mere threat of domination is a constraint on freedom. Both views of liberty are essentially negative, James argues, and also deficient because they entail an impoverished and incorrect idea of constraint. To get beyond this viewpoint, James proposes to augment the idea of constraint that such a viewpoint entails by including both additional forms of practical constraint and a positive idea of freedom as self-determination (1). James explains the importance of the concept of self-determination by stressing the role it played in "gaining control over social and historical conditions and forces that generate avoidable practical constraints on human agency that may or may not interfere in people's lives" (2). To this end, he locates a productive tension between freedom as self-determination and practical constraint: the former is limited by the latter which, at the same time, it seeks to abolish. The "two-liberties" view cannot grasp this tension, James argues, because, in tying agency back to a "clearly identifiable agent," it overlooks the plural nature of freedom (2). In short, freedom and necessity remain unreconciled because we have not understood the nature of constraint and its relation to freedom as self-determination.James seeks to fill this "knowledge gap" by returning to what Kant, Hegel, and Marx said on freedom and necessity (both practical and historical) when they reflected on the transition to a society in which freedom and necessity are eventually reconciled. Specifically, James tries to identify new possibilities implicit in those three thinkers' accounts and to "kick the tires," so to speak, by looking for holes in their understanding of practical necessity. In particular, he focuses on what Kant's, Hegel's, and Marx's understanding of freedom and necessity might entail about the role of suffering in the transition toward a society in which freedom and necessity are reconciled. In combing through those three thinkers' arguments for inconsistencies, contradictions, and pregnant loose threads, James strives to... (shrink)

What corresponds, in contemporary feminist and decolonial usage, to the demand to “return to experience,” or rather “to the lived experiences” of oppression - a distant echo of Husserl’s call to return to the things themselves? Beauvoir and Fanon appear to have laid the first foundations of a critical phenomenology of oppression - or of a phenomenologization of social critique. Later, Young and Ahmed took up a similar approach, reading history and politics in bodies, and habitus and structures (...) in intimate experience - an approach that is now discussed in the United States under the label of “Critical Phenomenology.” But is this still, really, phenomenology in the strong sense? This article contributes to an understanding of the path taken by the field of Critical Phenomenology from Husserl to Lorde, and of the shifts that can be observed both in the field and in the method that it presupposes. Finally it undertakes to clarify the horizon of this field, which is essentially concerned with the defence of a life that is both deeply corporeal and open to a total meaning. (shrink)

One of the most respected religious thinkers of our time makes an impassioned plea for the return of religion to its true purpose—as a partnership with God in the work of ethical and moral living. What are our duties to others, to society, and to humanity? How do we live a meaningful life in an age of global uncertainty and instability? In To Heal a Fractured World, Rabbi Jonathan Sacks offers answers to these questions by looking at the ethics (...) of responsibility. In his signature plainspoken, accessible style, Rabbi Sacks shares with us traditional interpretations of the Bible, Jewish law, and theology, as well as the works of philosophers and ethicists from other cultures, to examine what constitutes morality and moral behavior. “We are here to make a difference,” he writes, “a day at a time, an act at a time, for as long as it takes to make the world a place of justice and compassion.” He argues that in today’s religious and political climate, it is more important than ever to return to the essential understanding that “it is by our deeds that we express our faith and make it real in the lives of others and the world.” To Heal a Fractured World—inspirational and instructive, timely and timeless—will resonate with people of all faiths. (shrink)

This article examines the dynamics that allowed the derogatory term “Ostjuden” to reappear in academic writing in post-Holocaust Germany. This article focuses on the period between 1980’s and 2000’s, complementing earlier studies that focused on the emergence of the term “Ostjuden” and on the complex representations of Eastern European Jews in Imperial and later Weimar Germany. It shows that, despite its well-evidenced discriminatory history, the term “Ostjuden” re-appeared in the scholarly writing in German and has also found its way into (...) German-speaking public history and journalism. This article calls for applying the adjectival term “osteuropäische Juden”, using a term that neither essentializes Eastern European Jews nor presents them in an oversimplified and uniform manner. (shrink)

Given the cultural dominance of the empirical sciences, it is perhaps inevitable that theology should seek a self-understanding that emulates them. Yet post-modern thinkers concur in rejecting Enlightenment canons of knowledge as too restrictive for any discipline seeking to fathom our own humanity, a pursuit that theology shares with literature. In both fields, language, as an engagement with symbols, is not the pursuit of an object of knowledge so much as an act ofself expression and an opening to communion. This (...) is illustrated by an examination of the life and work of Virginia Woolf, as she is revivified in Michael Cunningham’s novel, The Hours. Its explication is drawn from the writing of the German Jesuit theologian Karl Rahner, who insisted that St. Thomas Aquinas viewed all of reality as essentially self expressive, and the human person as that spot in creation, ordered toward all that is and achieving self-constitutionthrough symbolic intercourse with others. (shrink)